A good armchair, wonderful poetry and… some other serious stuff

painting by Eoin Mac Lochlainn Caoineadh War 2024

I heard the Dawn Chorus again this morning.  Still dark. Why do they get up so early? Why do they sound so happy, so full of joy?  And why is it I cannot sleep?

I was delighted to have two paintings selected for the RHA Annual Exhibition. (the two faces on this page)  There was 5,313 submissions but only 346 pieces selected for exhibition in the end.  So last Sunday I was at the Varnishing Day and that was nice.  I met loads of old friends.

Before the opening I had been to a book launch and listened to the wonderful poems of Geraldine Mitchell.  Naming Love.

painting by Eoin Mac Lochlainn at the RHA Annual 2024

I wondered afterwards about the RHA – and what art was for.  Landscape?  Colour?  Realism?  I don’t know anymore.  Is it to express emotions?  To reflect?  To inspire?  To provoke?  Or is it to decorate our houses?

In an increasingly dangerous world, the leaders who we might’ve once thought were ‘the good guys’ – well, those leaders are now facilitating and financing genocide. We’re seeing some of the worst crimes of the 21st century, livestreamed to us daily.

I never thought I’d say this but (ahem) ‘Fairplay to our Taoiseach’ for his stance against ethnic cleansing. In the past this would’ve been a given – but now – what a world we’re living in and yet, the birds keep singing, the flowers still bloom.

But more and more is being spent on weapons of war, while the Climate Crisis is ignored… and the mainstream media simply plays along.  In this situation, surely art can do more than dream of  “balance, purity and serenity”, as Henri Matisse once wrote… “a soothing, calming influence on the mind”, he wrote, “rather like a good armchair which provides relaxation from physical fatigue…”

painting by Jo Killalea Lamentation at the RHA
Jo Killalea: “Lamentation”, oil on gesso panel, 23 x 28 cm

Now it’s true of course, I could do with a good armchair myself.  Beauty soothes the soul.  But, to quote from a poem by Geraldine Mitchell: News of war bursts from the radio, sluices over, round and into me.  Can we really stand idly by while these war crimes continue?  Surely artists must at least bear witness.

Very few pieces like that at the RHA but the painting above by Jo Killalea entitled: “Lamentation” struck a cord with me.  She is a Mayo artist who worked for years in East Africa.  Her paintings explore issues of land use, inequality, famine, migration and climate change.

https://rhagallery.ie/

https://www.geraldinemitchell.net/

https://jokillalea.com/

https://www.oliviercornetgallery.com/

Finally, it seems that WordPress has made some changes recently so that I can’t see anymore who you are when you write your comment (Probably something to do with GDPR) so, if you don’t mind, can you please write your name after the comment – or even your intials would be nice, thank you – I always appreciate your feedback.

12 comments

  1. Your blog is a charming experience at the intersection of artwork and war, presenting profound insights and thought-provoking reflections. Thank you for sharing your special viewpoint and enriching our perception of these complicated issues through your considerate posts.

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  2. Well done Eoin again…and again….and again, for your up-front naming what the world is pathetically ashamed, or afraid (of what? of whom?) to openly declare.

    Well done too on your 2 sympathetic portraits at the RHA Summer Exhibition.

    Those chirpy, chattering, in-love-with-each-commencing day ‘Dawn Chorus’ has had eons of time celebrating the eternal majesty of nature in a manner we humans can never do. Do you think those engaged in conflict, destruction, ethnic cleansing, crimes against human nature, etc., hear the dawn chorus?

    JimD

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  3. Comhgháirdeachas as roghnú an RHA ar do phíosaí!

    We need to remember that “ar mhaithe leis féin a dhéanann an cat cronán” and even more so that the birds sing for their own purposes alone: calls to mate, to warn off rivals, warnings of predators, calls to their young …

    Yes, if art is to justify the effort of the artist and the feeding by the community, it should take a stand. And if our state leaders are to do more than take symbolic stands, they should apply sanctions to a genocidal state – led us not forget that for years they have held up (and continue doing so) a modest sanction already voted for in Leinster House – the Occupied Territories Bill.

    That which they have done which is in any way good, symbolic as may be, has been following years of popular pressure and in particular the massive mobilisations and hundreds of smaller actions of solidarity. We owe them no thanks but rather a call to concrete action.

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